Any self-destruction would be deemed as a hideous calamity. Shakespeare ‘s Romeo and Juliet is a good known calamity and consists of two self-destructions. While, self-destruction is largely seen as tragic, Shakespeare incorporates elements of comedy that end up altering the type of drama from calamity to comedy. Certain parts of this comedy are deserving observing.

This talk of raping and beheading adult females is likely the where those in the audience truly go occupied details… . The first ground as to why person watching the drama would go engaged at this point would be that the prologue described the events of the drama as slightly drab and black, so the audaciousness and “ laddishnes ” of two immature work forces jesting about ravishing servant adult females and cutting their caputs off would look to be instead unexpected, rising the temper. Equally true as this is, the original ground why Shakespeare would hold included such expressed comedy is that the theater ‘s chief concern competition were either whorehouses or violent events like prick battles so he had to happen some manner to derive the attending of those people that would travel to such events. No boisterous or rambunctious immature adult male would desire to be stuck watching a depressingly inexorable calamity while he could be traveling to a whorehouse, which is why Shakespeare introduces this sort of temper into the drama and uses it on many an juncture. Some comedic sarcasm should besides be noticed here, sing that Sampson and Gregory ‘s characters were most likely being played by immature kids who were nowhere nigh matured and to hear them talking of Acts of the Apostless such as colza is slightly pathetic. Shakespeare could be utilizing this as a ocular symbol that the characters of Sampson and Gregory are all talk and would ne’er perpetrate these Acts of the Apostless, had they been played by grownups or non.

Although this changeless repeat of the word “ sir ” does sound instead silly, Shakespeare does utilize this to his advantage. The audience are expecting a immense bash between these four work forces, yet the really inappropriate manner this individual word is being driven into the land makes it funnier. Cipher would truly anticipate raillery between a group of people merely about to seek and kill each other. The audience merely ca n’t assist but laugh at this state of affairs comedy scenario.

Much like Sampson and Gregory in the old scene, the buffoon, introduced to us in Act One Scene Two, is decidedly the Centre of most of the temper in this scene and once more, like act one scene one, the viewing audiences are one time once more given the chance to happen the comedy in another ‘s ignorance.

Clown: Find them out whose names are written here! It isA written, that the cobbler should tamper with his pace, and the seamster with his last, the fisher with his pencil, and the painter with his cyberspaces ; but I am sent to happen those individuals whose names are here writ, and can ne’er happen what names the composing individual hath here writ. I must to the learned. — In good clip.

His blazing inability to read manages to give the audience a few inexpensive laughs, but Shakespeare needs the Clown to move clownish because it ‘s through that amentia that presents Romeo and his friends the chance to gatecrash the Capulet party and, in bend, run into Juliet and autumn in love with her. Although a minor amusing character in this drama, he is besides something of an obscure hero in the sense that had he of been more

competent and non delivered the invite to Romeo, none of the chief events of the drama would hold occurred. Shakespeare needed a amusing character to put the whole secret plan into gesture so he used the Clown.

So far, all amusing characters featured in the drama have merely been comparatively minor characters compared to the 1 introduced in Act One Scene Three. Juliet ‘s carer, the Nurse, is likely the most cardinal characters every bit far as comedy is concerned. Shakespeare uses this character for several dirty wordplaies and crude humour gags, in fact the first thing the character says is used in a comedic manner.

LADY CAPULET: Nurse, where ‘s my girl? Name her Forth to me.

Nurse: Now, by my hymen, at 12 twelvemonth old, I bade her semen. What, lamb! What, ladybug! God forbid! Where ‘s this miss? What, Juliet!

There are two degrees two the temper in this statement. The first being the “ hymen ” comment, which may intend virginity but is besides an obvious mention to the soiled raillery of Sampson and Gregory earlier on, the viewing audiences would hold to hold seen this scene to understand the gag. The virginity gag is doubled by the fact that Shakespeare makes certain that this barmy old female character is in fact played by a to the full adult adult male, dressed in adult females ‘s vesture. Even though a adult female moving in the theater was wholly unheard of in Shakespeare ‘s clip, it works better for the comedy of the character if it is played by a adult male. Had the character been played by a female, the audience would likely happen it instead tactless and unsavory to hear her talk about her ain virginity. At least with a adult male it could be taken in the manner as rough temper.

The nurse being played by a male histrion could besides open up an chance for Shakespeare to demo some more ocular comedy in the drama by puting the histrion up with the most laughably bogus set of chests and a really tacky styled frock. This technique is still used now, in the modern age, in the signifier of dumb shows and their dolls. The technique still succeeds in doing theatre audiences laugh today.

As if the nurse being dressed crudely in retarding force was n’t plenty, Shakespeare gives the character several rude and frequently expressed lines and he emphasizes this by giving the character the huge bulk of the screen clip every bit good as a immense address.

Nurse: A A A When it did savor the wormwood on the mammilla

A A A A For so she could stand entirely ; nay, by the crucifix,

A A A A ‘Yea, ‘ quoth he, ‘dost thou autumn upon thy face?

A A A A Thou wilt fall rearward when 1000 hast more humor ;

There are a really big figure of sexual mentions and insinuations in this one address entirely. The manner the character refers to how she weaned Juliet as a babe from her chest milk is yet another gag about the histrion ‘s bogus chests, like Shakespeare is utilizing repeat to thrust the accent that there is a feminine signifier on a adult male in the audience faces. Yet once more, this changeless repeat is ever reminding the audience that it is truly a adult male in that frock. To some extent it is likely a good thing because Shakespeare needs the people watching the drama to ever maintain in head it ‘s a adult male so they do n’t get down to bury it ‘s non truly a adult female and get down sing the petroleum temper as inappropriate and vulgar.

Another adverting sexual Acts of the Apostless in this Nurse ‘s address is how she rambles on about how her hubby joked about how Juliet should fall on her back instead than on her face. Although many people reading the book now would merely be able to observe the ill-mannered comedy in this, it is still there none the less. The ground why the Nurse ‘s hubby said this is that he is mentioning to that Juliet will one twenty-four hours fall down on her dorsum in order to hold easier sexual intercourse when she one twenty-four hours gets married. Shakespeare ‘s audiences were much more prone to listening to what was being said so picking up on this would be no job for them.

True, the address the Nurse gives is full to the lip with petroleum and sexual gags, but the fact that a retainer is wholly overmastering both her kept woman and her girl in this scene is besides slightly diverting. Servants at this clip were supposed to be together, good mannered and were meant to talk merely when spoken to by their Masterss or kept womans. This is enormously contrary to how the nurse is moving, her kept woman seems wholly overthrown by her behavior and seems to the full awkward when it comes down to holding to command her retainer. This is what we would name situational comedy, a state of affairs that is extremely contrary to what would hold really happened in Shakespeare ‘s twenty-four hours and age. Not merely that, but I believe that Shakespeare wanted to give the nurse the most lines and presence in this scene because she is one of the chief amusing characters in the drama and by making this he intended the character gain the audiences favour, so they like the character and anticipate to see her much more frequently subsequently on. Shakspere does non let down.

Act One Scene Four introduces perchance the 2nd most outstanding character every bit far as comedy is concerned here: Mercutio. Mercutio ‘s manner of in your face dissing humour makes him one of the most memorable and sympathetic characters. It ‘s difficult to believe he is blue judging from his “ one of the chaps ” attitude.Not merely that but he has the cardinal function for altering the feel of the drama from comedy to calamity. He is first seen in this scene with Romeo and Benvolio, seeking to convert the doubting Romeo to go to the Capulet ball. Rather like an reverberation of the nurse, Shakespeare awards this character the huge bulk of talking clip to set up him as a comedic character. In this clip he mocks Romeo several times about love and besides makes a batch of petroleum gags and wordplaies.

Mercutio: And, to drop in it, should you burthen love ; Too great subjugation for a stamp thing.

Romeo: Is love a stamp thing? it is excessively unsmooth, Too rude, excessively rambunctious, and it pricks like irritant.

MERCUTIO: If love be unsmooth with you, be rough with love ;

A A A A Prick love for pricking, and you beat love down.

A A A A Give me a instance to set my countenance in:

A A A A A vizor for a vizor! what attention I

A A A A What funny oculus doth quotation mark malformations?

A A A A Here are the beetle brows shall crimson for me.

The ill-mannered comedy here is obvious, even to modern audiences: Romeo is one time once more woolgathering about love and love affair and Mercutio starts to mock him by turning the topic of love affair into a “ phallus gag ” by utilizing the word asshole several times. The blushful remark could besides perchance taken as sexual because blushing is something a individual does when flustered, which frequently occurs to a individual during sex.

For the following scene at the Capulet party, Shakespeare tones the comedy down greatly to do manner for the love affair of when Romeo eventually meets Juliet. He achieves this romantic feel by supplying Romeo a twosome of traveling monologues in which he talks largely in an iambic pentameter to derive the beautiful poetic sense.

– / – / – / – / – /

But, soft! what light through yonder window interruptions?

Shakespeare gives Romeo the duologue of iambic pentameter with strong sounds on every other word in the sentence. As light radiances from the window, Romeo compares Juliet to a lifting Sun, which has reasonably strong intensions of heat and love.

The lone comedy that I can pick up on in Act Two Scene One ( a instead short scene ) is Romeo taking yet another immense onslaught of epigrams and gags from Mercutio, the most memorable quotation mark being:

Mercutio: A Romeo, that she were, O, that she werea an unfastened et buttocks, thou a poperin pear!

Once once more, the character of Mercutio decides to wholly minimize Romeo ‘s new found fondness for Juliet by doing vulgar and sexual suggestions about her to Rome. One once more, Shakespeare harnesses the petroleum temper on the subject of sex to maintain a house clasp on the audience ‘s attending, he has to maintain up the comedy so the audience is paying full attending for when the secret plan thickens and the drama becomes a calamity.

It is merely until act Two Scene Four that the two most comically indispensable characters of the drama ( The Nurse and Mercutio ) really cross each other ‘s waies and this likely one of the most amusing minutes in the full drama. First of wholly, the nurse appears on phase dressed even more laughably

than usual. This sets up some really amusive ocular comedy for the audience and besides sets up Mercutio up with his first excavation at the Nurse. Stating “ A canvas, a canvas! ”

The nurse, seeking to maintain up her blue pretense attempts to disregard Mercutio, but he still keeps the gags coming in fast and midst.

Nurse: My fan, Peter.

Mercutio: Good Peter, to conceal her face ; for her fan ‘s the fairer face.

I believe, personally, that Shakespeare is utilizing Mercutio to diss the Nurse ‘s expressions as a device to maintain reminding the audience that the nurse is truly played by a adult male, therefore heightening the comedic value of this sequence. This technique becomes more obvious merely as the Nurse begins to go forth the set of immature work forces and Romeo follows her. Mercutio has one concluding abuse:

Mercutio: Farewell, ancient lady ; farewell, —

[ singing ] lady, lady, lady.

After listening to this joyful repeat of the word lady, I believe that it is certainly Shakespeare seeking to maintain it fresh in the viewing audiences ‘ caputs that it is truly a adult male.

Even in a entire indignation about her recent maltreatment from Mercutio, Shakespeare still makes certain that the nurse stays wholly true to her screaming character and ca n’t assist but do several insinuations even when she herself does non cognize it.

Nurse: An a ‘ speak anything against me, I ‘ll take him

A A A A down, an a ‘ were lustier than he is, and 20 such

A A A A Jacks ; and if I can non, I ‘ll happen those that shall.

A A A A Scurvy knave! I am none of his flirt-gills ; I am

A A A A none of his skains-mates. And thou must stand by

A A A A excessively, and endure every rogue to utilize me at his pleasance?

The Nurse makes several rough gags without gaining it. There are two chief insinuations here: the first 1 is the nurse speech production of taking Mercutio down and the other is how she accidently speaks of non allowing merely anyone usage her for his pleasance. The character likely meant it in the sense of utilizing her for verbal maltreatment, as displayed by Mercutio, but how the audience interprets this is left to the imaginativeness.

After hearing this small address, the Nurse ‘s adjutant, Peter, decides to talk:

Peter: I saw no adult male usage you a pleasance ; if I had, my arm

A A A A should rapidly hold been out, I warrant you: I dare

A A A A draw every bit shortly as another adult male, if I see juncture in a

A A A A good wrangle, and the jurisprudence on my side.

He excessively is wholly unmindful to the rude remarks he merely said. The audience would recognize the bare arm wordplay as a atavist to the Sampson and Gregory sequence ‘s “ penis temper ” . Shakespeare besides subtly adds in the word “ wrangle ” into this address. This is besides a reminder to Sampson and Gregory. The really memory of that really first scene would certainly be adequate to do the audience chortle once more, merely as it did the first clip around: another add-on to the repeat technique to humor.

The turning point of the drama from temper to calamity is decidedly at the point of Mercutio ‘s decease. It is merely as he is deceasing in his friend ‘s weaponries that Mercutio ceases with the jeer and gags. After a tonss of small gags, claiming that his “ abrasion ” is non truly that bad a lesion because it is “ non so deep as a well, nor so broad as a church door ” , he all of a sudden breaks out with “ A pestilence O ‘ both your houses! ” he does n’t merely take this at Tybalt who was the 1 who killed him, but everyone, even though he was rather steadfastly allied with Romeo when in life. It ‘s possible that he believed that he had been killed in a squabble that would come to nil, which is hideous.

Since that minute, the temper of the drama becomes much darker and the light hearted comedy component dies. Even when the nurse retains her old ego by doing several gags, it becomes instead inexpensive and tasteless because the topic of that gag would be about decease. A good illustration about this is when Juliet is being forced to get married Paris but is already married to Romeo. This cruel sarcasm could hold possible to be amusing, but because the drama is at that morbid minute, it merely appears tragically barbarous.

Symbolically, merely as the comedy drains out scene by scene, the Nurse besides has less clip featured on phase. In Act Four, her lines go much smaller and insignificant until she is wholly tongueless and in act five ( the act where the twosome commit self-destruction ) she does n’t even look at all. So the transition from comedy to tragedy is complete.

So in decision, William Shakespeare managed to add comedic touches into this drama in order to hold on the audience ‘s attending and prosecute them rather efficaciously.