The consequence of decease on different people can change greatly. Some may take to obtain pleasance from the nostalgic memories or a lost loved one, some may see decease as a reminder to love more, and some may even take to avoid confronting the harsh truth that decease nowadayss.
Alice Walker, in “ Poem at Thirty-Nine ” , tried to research the heat of a parental relationship. Judy Brunette, in “ Dad ” , attempted to detect the same. “ A Mother in a Refugee Camp ” by Chinua Achebe showed how powerful a female parent ‘s love is in the face of decease, which is similar to “ Funeral Blues ” by W. H. Auden. Christina Rossetti tried to utilize her verse form “ Remember ” to demo how we could relieve the world of her decease to her relations and friends. The subject of “ Do n’t fear decease ” by Aleksandr Blok is similar.
All these poets have taken different positions on decease, nevertheless, from all these verse forms, the poets all aware that decease is ineluctable.
We all know that we can non hedge decease – the decease of ourselves and our relations, friends and so forth. Unless there are any particular fortunes, we, as human, normally feel down after the decease of person. The existent degree of dejection would depend on a figure of factors, including how long you know that individual, your relationship with him and so forth. However, without any vacillation, the relationship between a female parent and a boy ought to be the most intimate one.
In “ A Mother in a Refugee Camp ” by Chinua Achebe, the female parent in the verse form took attention of her boy. The boy was non yet died in the verse form, but in a refugee cantonment, the kid was hungering. The scenery described by Chinua Achebe was atrocious, with “ olfactory properties of diarrhoea ” . The tone used in the verse form was filled with unhappiness and depression. In order to underscore the love of the female parent in that awful cantonment, Chinua Achebe used different senses and simile to depict. For illustration, he used “ rust-colored ” to depict the hair of the kid, which is seemingly unnatural. Furthermore, the smiling of a female parent towards her boy or girl should be sweet. However, ironically, Chinua Achebe used, ironically, “ a ghost-smile ” to depict the “ smile ” of the “ Mother ” . In the verse form, Chinua Achebe besides contrasted the female parent in the verse form with other female parents in the cantonment, which states that “ The air was heavy with olfactory properties of diarrhoea, of common kids with washed-out ribs and sere undersides toddling in labored stairss behind blown-empty abdomens. Other female parents at that place had long ceased to care, but non this 1. ” It shows that other female parents have already given up their kids after their birth. The verse form did non really province the inside informations, but as one could moderately conceive of, the resources in the refugee cantonment would be limited. In order to keep life, most female parents would take to keep their ain life, instead than that of their kids. But even in such an utmost atrocious topographic point, the female parent described in the verse form was different. Hence, it became the topic of Chinua Achebe ‘s verse form. Even though I am non yet a male parent, I could still, from the words used in the verse form, experience how much love the female parent in the refugee cantonment had towards her boy, and how much love she has given to her boy.
Upon carry oning research on the background of Chinua Achebe, the verse form was written when Chinua Achebe accepted a petition to function as foreign embassador in Africa. During his life, Chinua Achebe has travelled to many metropoliss.
In the verse form, Chinua Achebe did non province what his chief intent of composing this verse form was. It might on one manus be perceived that parental love was the chief subject. However, based on the background of Chinua Achebe, the verse form could besides be viewed as demoing Chinua Achebe ‘s dissatisfaction towards the populating criterion of the people in Africa.
The sorrow of the decease of a close household member was besides the subject of “ Funeral Bluess ” by W. H. Auden. Similar to Chinua Achebe, in “ Funeral Blues ” , W. H. Auden appears to hold a negative position towards decease. In “ Funeral Blues ” , W. H. Auden did non depict exactly as to who was died. Research has been done on the background of W. H. Auden, and it was discovered the verse form was really referred to the decease of W. H. Auden ‘s male parent. The tone used in the verse form is besides instead pessimistic. The verse form could really be segregated into four subdivisions. In the first subdivision, W. H. Auden used different descriptions to foreground the unhappiness of the decease. For case, he used “ a juicy bone ” and a “ dull membranophone ” to depict the enjoyments one could hold before decease. But after decease, all enjoyments and communications were stopped. In the following subdivision, he started to demo that nil would be of import after the decease of that individual. In the 3rd subdivision, he showed how of import that individual to him. From the verse form, we could really experience that individual would really intend everything to W. H. Auden. In the last subdivision, it showed how despair W. H. Auden was after the decease of that individual. The subject and intent of W. H. Auden in the verse form was clear – to demo how of import the dead individual was meant to him, and after his decease, he lost his ain way.
A figure of linguistic communication devices have been used by W. H. Auden in the verse form, such as repeat of “ North, South, East and West ” , and the verse form as a whole contained more rhyme. As a affair of hyperbole, W. H. Auden described his male parent was so of import that he could busy the poet ‘s “ working hebdomad ” and besides “ Sunday remainder ” . To me, the trump line of the verse form was “ I thought that love would last forever: but I was incorrect. ” This sentence was so touching to demo the anguish 1 must travel through for the decease of an imperative individual in one ‘s life.
After reading “ Funeral Blues ” , it instantly caused me to believe of my gramps ‘s funeral when I was about 10 old ages old. I could still retrieve every scene in the funeral and how sad I was at that clip. I could genuinely understand how W. H. Auden felt when he faced the decease of his male parent.
Not every poet was so pessimistic on decease. An illustration is Christina Rossetti. Christina Rossetti is an English poet and is an Anglo-catholic. Probably because of the influence of her faith and her life experience, in “ Remember ” , Christina Rossetti showed her personal positions on how we should confront decease – from unhappiness, to bury and smile. Christina Rossetti made usage of a figure of contrast in the verse form to demo the difference between the clip instantly after the decease of person, at which it was filled with recollections and unhappiness, and some clip after the decease, at which burying and smiling have started to replace the wretchednesss of decease. The usage of “ soundless land ” showed the imaginativeness of Christina Rossetti that the topographic point that we go after our decease is non needfully a topographic point of horror. Christina Rossetti besides used “ darkness ” and “ corruptness ” as metaphors to depict the present clip of decease, which highlighted her positions that the clip outright after her decease would non be every bit cheerless as the reader would believe. The word “ retrieve ” has been used repeatedly for five times throughout the verse form. Remember the dead individual, nevertheless, was non the purpose of Christina Rossetti. The knowing and repeated usage of “ retrieve ” could be perceived to contrast the chief subject of the verse form – “ forget ” .
The positive manner of handling decease is besides supported by “ Do n’t fear decease ” by Aleksandr Blok. Aleksandr Blok was born in an rational and educated household. “ Do n’t fear decease ” , as compared to “ Funeral Blues ” , were simpler and straightforward. Aleksandr Blok used commanding sentences at the get downing “ Do n’t fear decease in earthly travels. Do n’t fear enemies or friends. ” to pull the readers ‘ attending. The words described in the universe after decease in the verse form were positive. Aleksandr Blok, for case, used “ a morning ‘s favor ” to depict the life after decease, as contrasted with “ darks of poorness and discord ” as some people might believe the life after decease would be. In the eyes of Aleksandr Blok, the universe after decease is one with “ a common jurisprudence, one will of the Eternal Reign ” . It appears that such universe is disciplined and beautiful, but at the same clip, Aleksandr Blok provided infinites for the readers to conceive of how the universe would be. Compared with other verse forms sing decease in this reappraisal, we could really experience the difference of Aleksandr Blok on the issue of decease. The sentence “ Do n’t fear enemies or friends ” showed that decease should non be afraid by any one. It could be distinguished by other poets ‘ positions. In footings of linguistic communication devices, a figure of devices have been used. For case, vowel rhyme has been used in the verse form to add more sound effects to the verse form, such as “ a slave of life ” and “ poorness and discord ” , “ the Eternal Reign ” and “ everlasting lifelessly hurting ” .
Some poets, like Alice Walker and Judy Burnette, have impersonal positions towards decease. In “ Poem at Thirty-Nine ” , Alice Walker used her ain personal experience to depict how her life was after the decease of her male parent. At the age of thirty-nine, Alice Walker started to recognize that she was really holding the same life manner as her male parent ‘s. Even though she has already had her ain life, she, as repeated in the verse form, missed her male parent a batch. By researching the background of Alice Walker, it was discovered that Alice Walker was grown up in a loving family. Compared to her male parent, Alice Walker really had a closer relationship with her female parent. However, as shown in the verse form, after some clip of the decease of her male parent, she started to recognize that her male parent in fact had an influential function in her life. In the verse form, Alice Walker used expressed manner to demo her feeling in the verse form by stating the readers straight “ How I miss my male parent ” . These direct but lovely had been repeated twice in the verse form. A figure of linguistic communication devices and effects could be identified in the verse form, such as initial rhyme and rime.
“ Dad ” by Judy Burnette has likewise described the feelings of a girl towards her male parent. “ Dad ” was the verse form written by Judy Burnette turn toing her male parent. As noted by Judy Burnette, the verse form was written to demo how she missed her male parent after his decease. The male parent of Judy Burnette died all of a sudden with a bosom onslaught when she was 22. Throughout the verse form, Judy Burnette, similar to Alice Walker in “ Poem at Thirty Nine ” , used a direct manner to show her feeling and memory towards her male parent. “ Old ages may come and travel but your memory will ne’er be erased. ” This, although contrary to Christina Rossetti ‘s “ Remember ” , has expressly showed how of import her male parent was when Judy Burnette wrote the verse form. In the verse form, Judy Burnette said “ When my life was consumed in you // in your love, and in your smiling. ” The life appears to be happy and without concerns. It could be contrasted with the clip after his after, in which Judy Burnette felt distressed for holding no 1 to turn to for troubles happened in her life. Sound effects have besides been used in the verse form, such as “ whenever I speak your name ” and “ things have ne’er been the same ” . Judy Burnette intentionally used the individualized word “ consumed ” to depict her life before the decease of her male parent.
We all have to confront decease. But how we view and feel about decease could be so different.
After reading these verse forms, it triggered me to believe about decease. I have struggled to believe what the life would be after decease – whether it ‘s like a Eden as described in “ Do n’t fear decease ” , or it would be like a snake pit? That was something we could conceive of. But it appeared that poets with the belief of Christianity or Catholic appear to hold more positive positions for the topographic points we go after decease. I believe it is likely because of the Bible, which mentioned that we could populate with God every bit long as we believe.
May be because I am still immature, I am impersonal towards faith and I believe in scientific discipline and genetic sciences. At the present minute when I am still alive, I concur with the positions of Aleksandr Blok and Christina Rossetti that we should bask what our present life is. Even though if our friends or relations are died, we should still go on our life merrily. Furthermore, from “ Dad ” and “ Poem at Thirty-Nine ” , I have learnt that prizing what we have is even more of import. In order to avoid any sorrow to myself after the decease of my parents, I should populate merrily and to honor my parents every bit much as I can before one twenty-four hours I would non hold this chance.