The intent of this undertaking is to analyse Jonathan Swift ‘s Gulliver ‘s Travels from feminist position. To to the full understand the positions that Swift exhibited, with regard to feminist attack, it is of import to hold some background on Swift himself and adult females ‘s function in society in the 18th century.

Swift ‘s position of adult female was influenced by the times and the society that he lived in. The dearth of love in writer ‘s childhood and the small exposure he had to adult females when he was turning up besides attributed to the caustic personal isolation. Some critics like Lord Orrery, Middleton Murry and Norman O. Brown have suggested that Swift was a woman hater, because of the manner in which he is assailing adult females ‘s physical facet. Jonathan Swift frequently mentions the female organic structure with repulsion. He really frequently dwells with overdone horror at the sight of a adult female ‘s organic structure executing its normal bodily maps. Many have concluded from this that he hated adult females and considered them inferior to work forces. Gulliver hates humanity through adult females. Swift portrays adult females as inferior animals, comparing them to lusty, dirty, and nescient animate beings, finally taking to Gulliver ‘s disgust in adult females in general at the terminal of the novel. In the moral sphere, adult females inspire as much antipathy as they do on the physical side.

In Lilliput, Gulliver illustrates the sloppiness of adult females, when he retells the narrative of the fire. The lone manner to snuff out the fire is through micturition, an act so lude and grotesque that a adult female could non manage it. The queen is bossy and infuriated when Gulliver urinates on her flat to maintain it from firing. She decrees that public micturition be banned and that the contaminated edifice be left as it is. The method by which Gulliver describes this event, leads the reader to believe that merely a adult female would move so harshly to his actions.

In “ A Ocean trip to Brobdingnag ” , when the husbandman shows Gulliver to his married woman, she screams with disgust, the manner a adult female would respond to a bug.

Gulliver in Brobdingnag discovers that his sense was more acute in proportion to his smallness. He sees everything magnified, he examines everything as if through a microscope. Looking up near at the adult females ‘s anatomy, Gulliver notices that their tegument seems really unsmooth, discolored and oily. Besides he has trouble take a breathing because of their strong and abhorrent aroma. He is disgusted by the sight of their immense pores, musca volitanss, hickeies, hair and moles and even more repulsed by one maiden who places Gulliver on her mammilla to play. Swift uses the Maids of Honor to exemplify defects in a adult female ‘s beauty that are by and large overlooked or hidden. Gulliver expresses his antipathy to their bare organic structures. They were, “ really far from being a tempting sight ” , and gave him, “ any other emotions than those of horror and disgust ” . Gulliver makes the connexion that the adult females of England, that he usually finds so beautiful, have the same defects, but he merely does non see them as easy because they are of the same size: “ This made me reflect upon the just teguments of our English ladies, who appear so beautiful to us, merely because they are of our ain size, and their defects non to be seen but through a magnifying glass, where we find by experiment that the smoothest and whitest teguments look unsmooth and class and ailment coloured. ” Merely the adult females are described as holding such atrocious discolored tegument. Work force had it excessively, but he merely brought attending to the adult females.

When Gulliver describes a monstrous vision of humanity in Brobdingnag, he by and large uses adult females as the objects of repulsive force. It is the Empress who eats in a monstrous manner. When Gulliver sees mendicants and homeless, he describes in unkind item the lice creeping on their apparels. The homeless mendicant with cancerous chest is a hideous sight to Gulliver as he can see into the crannies and pits in her organic structure, destroyed by varmint and disease. That is “ the most atrocious spectacle that of all time an European oculus beheld ” . Swift deploys the rhetorical “ instruments ” necessary for such disclaimer calculating the disintegrating organic structure as female.

In Brobdingnag, Gulliver is shocked to see the “ monstrous chest ” of a nurse giving suction in forepart of him. Even the act of feeding does non get away his disgust: “ I must squeal no object of all time disgusted me so much as the sight of her monstrous chest… ”

The winging island of Laputa ( from the Spanish La puta, “ the prostitute ” ) has been the object of several feminist treatments peculiarly to demo that adult females are repeatedly described individually from work forces. The adult females are described by geometric form and mathematical figures. Furthermore, the adult females are non allowed to research or go off the island without specific philosophy from the King. In Laputa, a married woman is person who would instead prostitute herself than stay with her inattentive hubby. Harmonizing to Susan Bruce, Gulliver ‘s Ocean trip to Laputa enacts work forces ‘s ultimate inability to command adult females ‘s organic structures and desires.

In Houyhnhnms adult females were besides supposed to be gross, lustful, sexual, benevolent and gross outing as the description of the Yahoo female shows: “ The females. . . had long lank hair on their caputs and merely a kind of down on the remainder of their organic structures. . . Their dugs hung between their bow pess and frequently reached about to the land as they walked. ” A immature female Yahoo gets “ inflamed with desire ” at the sight of Gulliver. Never does Swift propose they are more than what he presents them to be, nor does he propose that they think, feel, love or are morally responsible. The Yahoo female who, driven by sexual craving, throws herself on Gulliver is a strikingly hideous image.

While the Houyhnhnm females are sexually modest and controlled, the Yahoo females are sexaully aggressive: “ A female Yahoo would frequently stand behind a bank or a shrub, to stare on the immature males. . . and so look, and hide, utilizing many antick gestures and faces. . . and when any of the males advanced she would easy retire, looking frequently back. ”

Swift is attracted to adult females on one manus but repelled by them on the other. Women ‘s ruse and odors, to Swift, must hold been both titillating and gross outing. We ne’er hear the voices of the adult females nevertheless. Gulliver encounters several adult females in his travels but we ne’er hear their sentiments. We ne’er find out how adult females think or what they feel about their ain society. We besides ne’er happen out what they think about Gulliver ‘s society. The ground for this is that adult females did non hold nonliteral voices. The conversations that he had with the queen, the lady and the adult females in Laputa are non brought up because it does n’t count. Women ‘s voices were non of import.

When Gulliver returns place from the Land of Houyhnhnms, he finds the odor of his married woman and kids revolting, unbearable, due to his experiences with the Yahoos.

A closer scrutiny of Swift ‘s work shows that assailing adult females is a misconception. Swift did non believe, as his society did, that a adult female should non be educated. Although he does use the feminine gender as a vehicle for his societal ideas, his text is more concerned with satirising humanity, in order to show his ideal for their being. Swift is overstating the features of each society, so that they can be clearly seen. In fact, Swift perceives adult females to be on an basically equal plane with work forces in three different countries. These countries are as follows: societal answerability, educational abilities and intent of being. Actually, sing the century in which Swift lived, his positions are extraordinary and differ drastically from the positions of most of his coevalss.

Jonathan Swift ‘s Hagiographas convey that he believed that adult females should keep a larger function in English society. Swift besides dismissed the thought that a adult female should be valued on her physical visual aspect, instead than her actions as a human being.

Swift believed that people typically behaved amorally. Swift did non judge work forces and adult females individually for their actions, but looked at them as every bit lending factors in a society that was plagued by immorality, unfairness and corruptness. Swift writes “ the handsomest among these Maids of Honor, a pleasant, coltish miss of 16, would sometimes put me astride one of her mammillas… ” The sexual mention and the attending to the miss ‘s age, mean the deficiency of ethical motives instilled in some immature adult females of Swift ‘s clip. Swift makes illustrations of these adult females, non so much as to degrade them, but to reprobate their behaviour.

Swift is socking, so much as the behaviour of work forces and adult females in general. Swift puts adult females on the same degree as work forces, where they are to be judged based upon their capablenesss, and of being a worthwhile individual, alternatively of an object of beauty. He goes to the extreme of utilizing bodily maps as a agency to typify equality, which besides serves to show the absurdity of the full state of affairs. Basically what Swift is stating is that the value of a adult female should be based on who she is and non what she appears or what a adult male desires her to be.

Jonathan Swift desired a better homo race than existed in the 1700 ‘s. He wanted a society in which adult females were educated every bit with work forces. He wanted a society in which work forces and adult females placed a great trade of importance on their virtuousness, ethical motives and intelligence.Through his satirical positions of the human status, Swift illustrates the failings of world and his ain ideal for the betterment of humanity.