In the drama A Dolls House the writer, Henrik Ibsen, relates his subject to the fit clip frame. Ibsen, while composing this drama, approaches adult females rights as an of import key. Throughout this clip period adult female were much neglected and looked down upon as anything less than merely a homemaker. The drama was written during a important clip of Naturalism, which extremely affected the mundane family. Ibsen recognized in his Hagiographas that in the nineteenth century adult female played a function to be a stay at place female parent, raised the kids, and adverts to her hubby at all times. The character Nora Helmer plays the function as a nineteenth century homemaker in A Doll ‘s House and is interpreted as a victim to adult female ‘s rights.

Nora: That I no longer believe. I think that before all else I am a human being, merely every bit much as you are — or, at least, I will seek to go one. I know that most people agree with you, Torvald, and that they say so in books. But henceforth I ca n’t be satisfied with what most people say, and what is in books. I must believe things out for myself and seek to acquire clear about them. I had been populating here these eight old ages with a unusual adult male, and had borne him three kids — Oh! I ca n’t bear to believe of it — I could rupture myself to pieces! I ca n’t pass the dark in a unusual adult male ‘s house ” ( Ibsen, 1608 ) . The constructs of the quotation mark can associate to Nora Helmer ‘s character ; which throughout most of the drama is distressed, presents an unrealistic individuality to herself and throughout the drama she seems to discovery her true individuality.

Although Nora and Torvald seem to hold a happy matrimony it comes to an terminal where all of their true feelings come out. Nora starts to recognize that Torvald treats her like a kid in their relationship and she besides begins to come to a decision on how bogus her matrimony truly is. Torvald looks at Nora as if she has merely one function in his life and that is to be a non-backboned loving married woman. When Torvald speaks to Nora he refers to her as “ my small squirrel ” ( Ibsen, 1559 ) , “ my small lark ” ( Ibsen, 1560 ) , or “ spend-all ” ( Ibsen, 1562 ) . Nora seems merely as an point to him or a plaything that he can play around with. Torvald speaks down to Nora and calls her by minimising pet-names because he feels that she in non intelligent and does non merit his clip of twenty-four hours. Whenever Nora begins to talk what is on her head or set in her ain sentiment, Torvald all of a sudden calls her a pet-name and insults her as a adult females through remarks like ; “ concerns that you could n’t perchance assist me with ” ( Ibsen, 1562 ) , and “ Nora, Nora, merely like a adult female ” ( 1565 ) . In that society Torvald has merely a typical hubby ever degrading his married woman. He would non let Nora the right to move the manner she wished nor would he accept the fact that she had a head of her ain excessively. Torvald required Nora to hold upon everything he had to state whether she wanted to or non.

Nora is an ever-changing character in the drama A Doll ‘s House. “ The demands she embodies – to be regarded as an independent grownup, to find her ain system of beliefs, to bask a matrimony that is a partnership, and to be able to go forth the domestic domain, including her hubby and kids, in chase of self-development ” ( Stetz ) is clearly an illustration of one of these characters. She goes through many life altering state of affairss and develops her true ego more than anyone else in the drama. Nora was unauthentic individual throughout most of the drama. An unauthentic is when a individual believes their personality is indistinguishable to their behaviour. However subconsciously they know that it is non true. Nora became an unauthentic individual because she is a adult adult female that was pampered all her life by work forces. Nora was spoon-fed all of her life by her male parent and hubby. She believes in Torvald unimpeachably, and has ever believed that he was her God or graven image. She is the perfect image of a doll married woman who revels in the idea of luxuries that she can afford because she is married. She is really coquettish, and invariably engages in childly Acts of the Apostless of noncompliance such as small lies about things such as whether or non she bought macaroons. Nora goes through life with the semblance that everything is perfect.